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When you receive your portrait, you should consider getting it framed as soon as possible to prevent any damage. If you don’t have knowledge about framing your self (which is common), bring your portrait to a professional framer. Of course it is hard to know the difference between a good or bad framer, but the choice is made by you when it comes to it. Good framers have sense about composition and colours, are very finicky and accurate. Many times you can’t see how they work before you see the final result, but good framers should be able to give you advice and answers about things you are wondering about. Finally you will be able to judge the framers work by the quality he provided to you. Most good framers have a huge range of mounts and frames available; choose a frame that suits your home and the painting according to your personal taste.
Framing different mediums
Oil Paintings Oils don’t need to be framed under glass; in fact I don’t believe it’s suitable at all. The reflection from the glass destroys the matt and soft colours of the innate surface and makes no justice to the painting. An oil painting needs to be framed by a professional framer. There are many different levels of quality frames to choose from. My advice would be to tell the framer about your budget, personal taste and let him tell you which frames are available to choose from. He shod be able to give you a quote of price as son as you made up your mind. A framer has many sample corners that can be viewed and added next to the painting corners for you to have a presentiment about what the final result could look like. There are even plastic and other low quality frames to buy, but I wouldn’t recommend them.
Watercolour paintings and drawings
Usually the artist decides on composition of the painting or drawing, but if you still want to crop the artwork, don’t crop too much because there is no turning back. When you order a watercolour portrait created by me I always send it trimmed along with a mount already created. But those are white simple mounts, so if you are thinking of getting another colour with several layers and extra fine lines with other beautiful choices, go to the framer. Mounts are pieces of white or coloured cards that are placed around the watercolours and drawings before they are framed under glass. Those frames are usually thinner then the frames used for framing oils and are once again available in various qualities, styles and colours. The glass for the frame can be glossy or matt, but matt makes the dawning or painting look a lot better. Never frame a drawing or watercolour directly touching the glass, always use mounts before you frame the artwork.
Hanging your portrait
To hang a portrait on the wall might sound easy, but there are several things you need to think about before you do that. You should read the “Caring for your oil portrait” part first, even though you will hang up a framed watercolour or drawing because some information concerns all kinds of artwork.
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Position your artwork in relation to accidental damage. Don’t hang your artwork close to furniture or behind doors.
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Don’t hang your portrait over heat or moisture places like open fires, radiators or in bathrooms.
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Think about direct lightening from outside environment when you hang your artwork on a wall. No constant direct light shod be exposed to the painting.
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Think about hanging your artwork in a room that doesn’t build up dirt and dust quickly.
Placing fitments When placing fitments to the back of the frame you should be thinking about doing that to the sides and not on the top. Carefully place the screws to the thickest part of the frame and then place a wire (double) to the fitments, the wire should make a bow. Never do this to the wood if it’s an oil painting. Position on the wall
Finally the position how you place the frame is important to look nice on the wall. Many people do the mistake by placing their artworks to high, or hanging them in different levels. The placement should be appealing and comfortable to the eye. The position is also determined depending on size and dimension.
When you finally decided where to hang your artwork, you might take help from someone else to hold up the painting so you can stand back and see how it looks. Your eyes should look straight to the middle of the artwork. You might take help of a ruler if you have other paintings on the same wall and you want to position the artwork to the same level. Remember to mark the wall (with a pencil) from position of the wire bow on the back at the same time as you keep in mind where the final position of the frame should be. Measure the distance from the wire bow to the upper edge of the frame. Choose a steady and big enough hook compared to size of the painting. Hammer or drill a hole where you’ve made the pencil mark. Finally hang the framed artwork and adjust it to be straight on the wall. There is nothing uglier then an imbalanced painting on the wall, even if it’s only wrong for a cm. |